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Release 5 min read

Orbit 1.5.9 — Speaker Arrays, Two Layouts to Switch Between, and a Redesigned Preferences

Speaker arrays for rooms with more speakers than the mix has channels, Multichannel 1 and 2, a speaker test with a tone generator and an output meter, marker names on the timeline, and every Preferences pane redesigned. Built on the new Orbit 2.0 audio engine.

Orbit's Speaker Arrays pane — a 13.2.8 room mapped onto a 7.1.4 mix, with three-speaker side-surround arrays and two-speaker rear and top arrays drawn around the listener, and the Left Side Surround array's level, delay and Test Array controls below

Orbit 1.5.9 is about the room you mix in: speaker arrays, two layouts to switch between, a speaker test with a tone generator, marker names on the timeline, and redesigned Preferences — on the new Orbit 2.0 audio engine.


Speaker arrays (beta)

For rooms with more speakers than the mix has channels — a dub stage with three speakers down each side, or a pair of subs.

Preferences ▸ Speaker Arrays groups speakers into an array that stands in for one channel. The channel plays through the whole array, as loud as one speaker would have been; objects still move between the speakers individually. Each array has its own level, delay and colour, and Test Array plays them all at once. Choose what the mix carries — 7.1.4, 9.1.6 and more — and bring your room in from an .osls file or design one at osls.io.

In Orbit Standard and Pro, and coming to Orbit Lite.


Multichannel 1 and 2

Two speaker layouts — your 7.1.4 room and a 5.1 check, say — to switch between from any monitoring selector. Speaker Layout & Routing shows both, and the routing matrix edits whichever you pick. Tick Keep these layouts with the session and a session brings its own.

Speaker Layout & Routing in Orbit's Preferences — Multichannel 1 and Multichannel 2 chosen at the top, a grid of layout cards each drawn as its rig, routing presets and the output routing matrix on the right, and the Speaker Test across the bottom with Pink noise and Sine, frequency, level and an output meter above the speaker buttons

On Audio & Monitoring, every output on your interface shows which layout it carries — Multichannel 1 in blue, Multichannel 2 in amber, the stereo and binaural pair in magenta.

Orbit's Output panel on a 16-channel interface — outputs 1 to 6 split blue over amber where both layouts use them, outputs 7 and 8 blue for the 5.1.2 layout's tops, magenta on outputs 1 and 2 for the stereo and binaural pair, and a key for Multichannel 1 5.1.2, Multichannel 2 5.1 and the stereo pair

The Speaker Test, across the bottom of Speaker Layout & Routing, now plays pink noise or a sine at any frequency from 20 Hz to 20 kHz. An output meter shows the level reaching the speaker, moving the level no longer clicks, and the panel fits any room from stereo to 64 speakers.


Markers

Each marker now shows its name on the timeline, in a row of its own so a loop region never covers it. Markers close together shorten their names; hover for the full one. A Markers tab in the Timeline’s right-hand panel lists them all — click to jump, double-click to edit.

Orbit's timeline with a row of markers along the top — Intro, Ambience establishes, Wind swells overhead, Narrator enters, Low rumble, Music cue 1, Dialogue — centre lock, Thunder, Music swell, Quiet passage and more — each a coloured numbered flag with its name, above the bed lanes' waveforms

The Markers tab in Orbit's Timeline panel — 25 markers listed with coloured numbered flags and timecodes, the third, "First bird call — front left", open to show its comment and Go to, Edit and Delete buttons


Preferences, redesigned

Every pane, from Account to Privacy — and the choices you used to pick from lists are now cards you can see.

Audio & Monitoring in Orbit's Preferences — Multichannel 1, Multichannel 2, Stereo, Binaural and Apple Spatial Audio as cards along the top, the output device with the stereo and binaural pair below, and the HRTF library on the right


Also in 1.5.9

  • Timeline clicks land exactly where you click, at any zoom, on a new ruler.
  • Smoother waveforms — no lag dragging the track names, no hairlines.
  • Create Session from Preview shows its progress — how much is copied, how long is left, and a Cancel button. It copies your audio once, so it’s quicker, and no longer freezes.
  • Fixed: IAMF waveforms showing as silent, waveforms drifting on long files, and the timeline vanishing while resizing.
  • Speaker test calibration and loudness measurement have also had improvements.
  • Send Us Feedback in the Orbit menu, or write to [email protected].

What about 1.6.0?

A few things here were designed to arrive with 1.6.0. We’re taking our time with 1.6.0 — it brings big changes, so rather than hold everything back, we’ve brought some of them to you now.

Processing and Mixing are coming in 1.6.0. It’s a big leap forward for Orbit, and it goes into beta in late October or early November.


Requires macOS 14+. Update to Orbit 1.5.9 today — Orbit will offer it to you automatically.

Stable build — v1.5.9.

— The Orbit Spatial Team

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